Skip to main contentGelatin silver glass plate negative - Upper end of Albert Canyon on the C.P.R., BC, 1887 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
Upper end of Albert Canyon on the C.P.R., BC, 1887
Photographer
William McFarlane Notman
(1857-1913)
Photography studio
Wm. Notman & Son
(1882-1919)
SignatureL. r. imprinted (decal) within image, WM. NOTMAN & SON, MONTREAL
Date
1887
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions19.9 x 25.5 cm
Origin
Canada
Object NumberVIEW-1731
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Lower end of Albert Canyon on the C.P.R., BC, 1887
William McFarlane Notman
1887
VIEW-1735
Lower end of Albert Canyon on the C.P.R., BC, 1887
William McFarlane Notman
1887
VIEW-1734
Albert Canyon on the C.P.R., BC, 1887
William McFarlane Notman
1887
VIEW-1732
Albert Canyon on the C.P.R., BC, 1887
William McFarlane Notman
1887
VIEW-1733
Fraser Canyon below North Bend, BC, 1887
William McFarlane Notman
1887
VIEW-1721
Fraser Canyon above Yale, BC, 1887
William McFarlane Notman
1887
VIEW-1773
Fraser Canyon above Yale, BC, 1887
William McFarlane Notman
1887
VIEW-1772
Cariboo Bridge, Fraser Canyon, BC, 1887
William McFarlane Notman
1930
VIEW-1766.0
Cariboo Bridge, Fraser Canyon, BC, 1887
William McFarlane Notman
1887
VIEW-1766
Alexandra Bridge, Fraser Canyon, BC, 1887
William McFarlane Notman
1887
VIEW-1765
Fraser Canyon above Spuzzum, BC, 1887
William McFarlane Notman
1887
VIEW-1761
Fraser Canyon showing four tunnels above Spuzzum, BC, 1887
William McFarlane Notman
1900-1930
VIEW-1760.01
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.