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Gelatin silver glass plate negative
Crucifixion, painting, photographed for William D. Lighthall 1912
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1912
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions25.2 x 20.1 cm
Origin
Canada
Object NumberVIEW-12030
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Crucifixion, painting, photographed for William D. Lighthall 1912
Wm. Notman & Son
1912
VIEW-12030.A
William D. Lighthall (?), painting by E. Hodgson Smart, 1913
Wm. Notman & Son Ltd.
1927
VIEW-24242
William D. Lighthall, Montreal, QC, 1913
Wm. Notman & Son
1913
II-199145
Miss Hosmer's dog, painting, photographed in 1912
Wm. Notman & Son
1912
II-193387
Girl arranging flowers (1873), painting by Matthijs Maris, photographed for R. B. Angus in 1912
Wm. Notman & Son
1912
VIEW-12164
Mrs. Hayter Reed, painting, photographed in 1912
Wm. Notman & Son
1912
II-191741
Jacques Cartier (1774–1841), painting ca. 1760, photographed for Mr. Villeneuve in 1912
Wm. Notman & Son
1912
II-192189
Portrait of a woman, painting by D. G. Rossetti, copied for Century Magazine 1912
Wm. Notman & Son
1912
VIEW-12581
S.S. "Canadian", lithograph of a painting by William Clarke, 1855, photographed for Sir Montague Allan
Wm. Notman & Son
1904/08/15
II-151191
Bishop Fulford, painting by William Sawyer, 1853, photographed 1925
Wm. Notman & Son Ltd.
1925
VIEW-23430
Sir George Williams, painting, photographed in 1921
Wm. Notman & Son Ltd.
1921
VIEW-20212.A
Bishop William B. Bond, painting by Edmond Dyonnet, photographed for Mr. Brock in 1926
Wm. Notman & Son Ltd.
1926
VIEW-23677
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.