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Gelatin silver glass plate negative - Pastoral scene, painting by Joseph van Luppen, copied 1919-20 | McCord Museum
Scène pastorale, peinture de Joseph van Luppen, copie réalisée en 1919-1920
You can freely copy, modify and distribute this image, even for commercial purposes. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.
Scène pastorale, peinture de Joseph van Luppen, copie réalisée en 1919-1920
You can freely copy, modify and distribute this image, even for commercial purposes. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.

Gelatin silver glass plate negative

Pastoral scene, painting by Joseph van Luppen, copied 1919-20
Artist (1882-1919)
SignatureNon signé / Unsigned
Date 1919-1920
Medium / Technique Silver salts on glass
Gelatin dry plate process
Dimensions20.1 x 25.3 cm
ClassificationCommunication Objects - Documentary Objects - Graphic Documents
Origin Canada
Object NumberN-0000.191.7
DivisionPhotography - Notman Photographic Archives
CollectionMcCord
CreditGift of David Ross McCord
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Country roads, painting by Joseph van Luppen, copied 1919-20
Gelatin silver glass plate negative
Country roads, painting by Joseph van Luppen, copied 1919-20
Wm. Notman & Son
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N-0000.191.8
Pastoral scene, painting by Thomas Gainsborough, copied for Art Association 1916
Gelatin silver glass plate negative
Pastoral scene, painting by Thomas Gainsborough, copied for Art Association 1916
Wm. Notman & Son
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Pastoral scene, painting by and copied for George Horne Russell, 1916
Gelatin silver glass plate negative
Pastoral scene, painting by and copied for George Horne Russell, 1916
Wm. Notman & Son
1916
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Pastoral scene, painting by Leon Richet, copied for Watson Art Gallery, 1926-27
Gelatin silver glass plate negative
Pastoral scene, painting by Leon Richet, copied for Watson Art Gallery, 1926-27
Wm. Notman & Son Ltd.
1927
VIEW-24125
Cows in field, painting by L. Van Marcke, copied for H. Drummond, 1919-20
Gelatin silver glass plate negative
Cows in field, painting by L. Van Marcke, copied for H. Drummond, 1919-20
Wm. Notman & Son
1919-1920
VIEW-18252
First World War scene, painting by and copied for James Wilson Morrice, 1919-20
Gelatin silver glass plate negative
First World War scene, painting by and copied for James Wilson Morrice, 1919-20
Wm. Notman & Son
1919-1920
VIEW-19112
Harbour scene, painting, copied for H. Drummond, 1919-20
Gelatin silver glass plate negative
Harbour scene, painting, copied for H. Drummond, 1919-20
Wm. Notman & Son
1919-1920
VIEW-18271
Gathering scene, painting by Corot, copied for H. Drummond 1919-20
Gelatin silver glass plate negative
Gathering scene, painting by Corot, copied for H. Drummond 1919-20
Wm. Notman & Son
1919-1920
VIEW-18294
Pastoral scene, painting, copied for Scott & Sons, 1934-35
Gelatin silver film negative
Pastoral scene, painting, copied for Scott & Sons, 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25530
Pastoral scene, painting by Wcherrewitz (?), copied for Scott & Sons, 1934-35
Gelatin silver film negative
Pastoral scene, painting by Wcherrewitz (?), copied for Scott & Sons, 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25556
Image Not Availablefor Shawinigan Falls, painting by Allan Aaron Edson, copied 1919-20
Gelatin silver glass plate negative
Shawinigan Falls, painting by Allan Aaron Edson, copied 1919-20
Wm. Notman & Son
1919-1920
VIEW-19168
Riders and dogs, painting, copied for Dr. Stuart Nichols, 1919-20
Gelatin silver glass plate negative
Riders and dogs, painting, copied for Dr. Stuart Nichols, 1919-20
Wm. Notman & Son
1919-1920
VIEW-19115

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.