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Albumen print - Master George and James Watson, Montreal, QC, 1861 | McCord Museum
Master George et James Watson, Montréal, QC, 1861
You can freely copy, modify and distribute this image, even for commercial purposes. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.
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Master George et James Watson, Montréal, QC, 1861
You can freely copy, modify and distribute this image, even for commercial purposes. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.

Albumen print

Master George and James Watson, Montreal, QC, 1861
Photographer (1826-1891)
SignatureNon signé / Unsigned
Date 1861
Medium / Technique Silver salts on paper mounted on paper
Albumen process
Dimensions8.5 x 5.6 cm
ClassificationCommunication Objects - Documentary Objects - Graphic Documents
Origin Montreal, Quebec, Canada
Object NumberI-1240.1
DivisionPhotography - Notman Photographic Archives
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Sergeant James Watson, Montreal, QC, 1868
Albumen print
Sergeant James Watson, Montreal, QC, 1868
William Notman
1868
I-31711.1
Rev. James Watson, Montreal, QC, 1862
Albumen print
Rev. James Watson, Montreal, QC, 1862
William Notman
1862
I-4396.1
Mrs. James Watson, Montreal, QC, 1862
Albumen print
Mrs. James Watson, Montreal, QC, 1862
William Notman
1862
I-4397.1
Gentleman, copied for Reverend James Watson in 1882
Albumen print
Gentleman, copied for Reverend James Watson in 1882
Inconnu / Unknown
1882/08/18
II-66243.0.1
Gongolas, Venice, Italy, painting by James Wilson Morrice, copied for Watson Art Gallery, 1936
Gelatin silver film negative
Gongolas, Venice, Italy, painting by James Wilson Morrice, copied for Watson Art Gallery, 1936
Wm. Notman & Son Ltd.
1936
VIEW-25952
Low tide, painting by James Wilson Morrice, copied for Watson Art Gallery, 1940-42
Gelatin silver film negative
Low tide, painting by James Wilson Morrice, copied for Watson Art Gallery, 1940-42
Wm. Notman & Son Ltd.
1940-1942
VIEW-26241
Beach scene, painting by James Wilson Morrice, photographed for Watson Art Gallery, 1937-39
Gelatin silver film negative
Beach scene, painting by James Wilson Morrice, photographed for Watson Art Gallery, 1937-39
Wm. Notman & Son Ltd.
1937-1939
VIEW-26157
Beach scene, painting by James Wilson Morrice, photographed for Watson Art Gallery, 1937-39
Gelatin silver film negative
Beach scene, painting by James Wilson Morrice, photographed for Watson Art Gallery, 1937-39
Wm. Notman & Son Ltd.
1937-1939
VIEW-26154
At the waterfront, painting by James Wilson Morrice, photographed for Watson Art Gallery, 1939-40
Gelatin silver film negative
At the waterfront, painting by James Wilson Morrice, photographed for Watson Art Gallery, 1939-40
Wm. Notman & Son Ltd.
1939-1940
VIEW-26163
Golden Venice, Italy, painting by James Wilson Morrice, photographed for Watson Art Gallery, 1937-39
Gelatin silver film negative
Golden Venice, Italy, painting by James Wilson Morrice, photographed for Watson Art Gallery, 1937-39
Wm. Notman & Son Ltd.
1937-1939
VIEW-26142
Quaiside, France (?), painting by James Wilson Morrice, copied for Watson Art Gallery, 1933
Gelatin silver film negative
Quaiside, France (?), painting by James Wilson Morrice, copied for Watson Art Gallery, 1933
Wm. Notman & Son Ltd.
1933
VIEW-25321
Beach scene, painting by James Wilson Morrice, copied for Watson Art Gallery, 1933
Gelatin silver film negative
Beach scene, painting by James Wilson Morrice, copied for Watson Art Gallery, 1933
Wm. Notman & Son Ltd.
1933
VIEW-25320

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.