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Gelatin silver film negative
Dr. D. Ewan Cameron, Montreal, QC, 1945
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1945
Medium / Technique
Silver salts on film
Gelatin silver process
Gelatin silver process
Dimensions17.8 x 12.7 cm
Origin
Montreal, Quebec, Canada
Object NumberII-333914
CollectionMcCord
CreditGift of George Dudkoff
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Dr. D. Ewan Cameron, Montreal, QC, 1945
Wm. Notman & Son Ltd.
1945
II-333895
Northern landscape, painting by Sir D. Y. Cameron, photographed for Fraser Bros. 1937-39
Wm. Notman & Son Ltd.
1937-1939
VIEW-26087
Waterscape with rock, painting by Sir D. Y. Cameron, copied for Scott & Sons 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25523
Landscape, painting by Sir D. Y. Cameron, copied 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25521
Glencoe Mountain, painting by Sir D. Y. Cameron, copied for Scott & Sons 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25522
Landscape, watercolour by Sir D. Y. Cameron, copied for Scott & Sons 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25489
Landscape, watercolour by Sir. D. Y. Cameron, copied for Scott & Sons 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25487
The Ochills, watercolour by D. Y. Cameron, copied for Scott & Sons 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25488
Landscape, watercolour by Sir D. Y. Cameron, copied for Scott & Sons 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25490
November gold, painting by Sir D. Y. Cameron, copied for Scott & Sons 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25665
Ardgour, Scotland, painting by Sir D. Y. Cameron, copied for Scott & Sons 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25709
Flamenco dancer, painting, copied for J. L. Cameron, 1930-31
Wm. Notman & Son Ltd.
1930-1931
VIEW-24941
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.